History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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This is It: A Crash Course in Humanistic Design
Do you like looking at buildings?
A good and easy undertandable book!

The Classical Language of Architecture
John Summerson
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0262690128

Book Description

Classical architecture is a visual "language" and like any other language has its own grammatical rules. Classical buildings as widely spaced in time as a Roman temple, an Italian Renaissance palace and a Regency house all show an awareness of these rules even if they vary them, break them or poetically contradict them. Sir Christopher Wren described them as the "Latin" of architecture and the analogy is almost exact. There is the difference, however, that whereas the learning of Latin is a slow and difficult business, the language of classical architecture is relatively simple. It is still, to a great extent, the mode of expression of our urban surroundings, since classical architecture was the common language of the western world till comparatively recent times. Anybody to whom architecture makes a strong appeal has probably already discovered something of its grammar for himself.

in this book, the author's purpose is to set out as simply and vividly as possible the exact grammatical workings of this architectural language. He is less concerned with its development in Greece and Rome than with its expansion and use in the centuries since the Renaissance. He explains the vigorous discipline of "the orders" and the scope of "rustication"; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the "modern" architecture of today. The book is intended for anybody who cares for architecture but more specifically for students beginning a course in the history of architecture, to whom a guide to the classical rules will be an essential companion.

Customer Reviews:

This is It: A Crash Course in Humanistic Design.......2006-08-30

This is the best way to learn about the classical sensibility in architecture -- as well as art and sculpture. Based on Summerson's radio lectures, this book has itself reached the status of being a classic! I assigned it for years, and students never failed to appreciate its brevity, insight and immediacy.

Very much worth the price of admission because it will forever open your eyes to the world of architectural forms and designs which refer to our common humanity. A necessary antidote to today's corrosive, diversity-oriented mentality.

Do you like looking at buildings?.......2001-02-22

I was introduced to this classic work in a course on Michelangelo by John Shearman at Harvard, and I'm writing this review because I'm convinced this book deserves wider distribution.

It's essentially an illustrated compilation of a series of lectures Summerson gave at university in England. The topic: the 'language' of architecture through the ages. Ever look at white marble columns, or that triangular thing over a window, and think how beautiful and elegant the display of forms was? Believe it or not, those styles are not created anew each time architects design a building! Rather, they draw on our rich common heritage - the 'classical language of architecture', first defined by Vasari in the 15th century (though in use since prehistoric times). That thing over the window is called a 'pediment', and columns can be Doric (stocky), Ionic (tall and graceful), or Corinthian (elaborated with flowery scroll-work at the top.) The triangular thing over a window is called a 'pediment'.

Intrigued? Want to know more about what the architects were thinking when they designed that building you're looking at? Buy this book, now!

A good and easy undertandable book!.......2000-04-12

Being about such a vaste theme, this book easily tells the most important parts of the history of architecture. Not much jargong, and well written overall!

Classical Pasts: The Classical Traditions of Greece and Rome

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Classical Pasts: The Classical Traditions of Greece and Rome

Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0691089418

Book Description

The term "classical" is used to describe everything from the poems of Homer to entire periods of Greek and Roman antiquity. But just how did the concept evolve? This collection of essays by leading classics scholars from the United States and Europe challenges the limits of the current understanding of the term. The book seeks not to arrive at a final definition, but rather to provide a cultural history of the concept by exploring how the meanings of "classical" have been created, recreated, and rejected over time. The book asks questions that have been nearly absent from the scholarly literature. Does "classical" refer to a specific period of history or to the artistic products of that time? How has its definition changed? Did those who lived in classical times have some understanding of what the term "classical" has meant? How coherent, consistent, or even justified is the term?

The book's introduction provides a generous theoretical and historical overview. It is followed by eleven chapters in which the contributors argue for the existence not of a single classical past, but of multiple, competing classical pasts. The essays address a broad range of topics--Homer and early Greek poetry and music, Isocrate, Hellenistic and Roman art, Cicero and Greek philosophy, the history of Latin literature, imperial Greek literature, and more. The most up-to-date and challenging treatment of the topic available, this collection will be of lasting interest to students and scholars of ancient and modern literature, art, and cultural history.

What Is Painting?: Winslow Homer & Other Essays (Classical America Series in Art & Architecture)

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What Is Painting?: Winslow Homer & Other Essays (Classical America Series in Art & Architecture)
Kenyon Cox
Manufacturer: W. W. Norton & Company
ProductGroup: Book
Binding: Paperback

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ASIN: 0393305457

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The Making of Classical Edinburgh
A. J. Youngson
Manufacturer: Edinburgh University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 074861768X

Book Description

Acclaimed as a masterly exposition of the making of the much quoted, photographed, studied and loved townscapes of Georgian Edinburgh, A. J. Youngson's classic book recreates and brings to life one of the most comprehensive, detailed and remarkable urban expansion programs ever undertaken. He describes the vigor of the planning debates, the fundraising schemes, the administrative and legislative infrastructure of planning, the construction of public buildings as poles of attraction for speculative building, and all the hopes, quarrels, victories and civic bankruptcy that went into this great experiment.

Superbly illustrated with over 160 photographs and line drawings, this is an invaluable work of history and a fascinating account of the shaping of one of the most beautiful cities in Europe.

Virgil, Aeneid 11: A Commentary (Mnemosyne, Bibliotheca Classica Batava. Supplementum, 244) (Mnemosyne, Bibliotheca Classica Batava Supplementum)

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Virgil, Aeneid 11: A Commentary (Mnemosyne, Bibliotheca Classica Batava. Supplementum, 244) (Mnemosyne, Bibliotheca Classica Batava Supplementum)
Publio Maron Virgilio , and Nicholas Horsfall
Manufacturer: Brill Academic Publishers
ProductGroup: Book
Binding: Hardcover

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ASIN: 9004129340

Book Description

This is the first comprehensive commentary on Aeneid 11. The commentary treats fully matters of linguistic and textual interpretation, metre and prosody, grammar, lexicon and idiom, of Roman behaviour, social and ritual, as well as Virgil's sources and the literary tradition. New critical approaches and developments in Virgilian studies have been taken into account with economy and fairness. The Latin text is presented with a facing English translation. The commentary is followed by an appendix on Penthesilea and the Epic Cycle and a second appendix which discusses the weaknesses of Aeneid 11. The book concludes with English and Latin indices.

Book Description

This volume deals with the development and the characteristics of the literature of Ancient Egypt over a period of more than two millennia, from the monumental origins of autobiography at the end of the Old Kingdom (ca. 2150 BCE) down to the latest literary compositions in Demotic during the Graeco-Roman period (300 BCE-200 CE). This book, the result of an international co-operation among more than twenty scholars, is divided into sections devoted to the definition of literary discourse in Ancient Egypt; the history and genres of these texts, their linguistic and stylistic features; and the image of Ancient Egypt as displayed in later literary traditions of the Mediterranean world - Greek, Coptic, Arabic. With over thirty chapters, this volume provides an interdisciplinary account of current research in one of the methodologically most advanced fields of Egyptology.

Customer Reviews:

important contributions on ancient Egyptian literature.......2000-08-17

This book contains articles on the literature from the Old, Middle and Late Kingdoms, demotic, coptic, and mediaeval times. The material is written in German, French and English - the three major languages of the field of Egyptology. The genres discussed include narrative, didactic, poetry and wisdom texts. This discussion of the language of the literature was produced in collaboration of scholarly authors : Lichtheim, Quirke, Loprieno, Parkinson, Assmann, Baines, Guglielmi, Vernus, Blumenthal, Derchain and many others. It is a contemporary, exhaustive scholarly research on Ancient Egyptian literature. 'Heavy' in material, it is recommended for scholars and motivated students.

ANNUAL 1990 (Bologna Annual. Illustrators of Children's Books)

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ANNUAL 1990 (Bologna Annual. Illustrators of Children's Books)
Illstrtrs childrens book
Manufacturer: Simon & Schuster Children's Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 0887081355

Arabic Grammars of Turkic: The Arabic Linguistic Model Applied to Foreign Languages & Translation of Abu Hayyan Al-Andalusi's Kitab Al-Idrak Li-Lisan Al-Atrak ... in Semitic Languages and Linguistics)

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Description needed!

Arabic Grammars of Turkic: The Arabic Linguistic Model Applied to Foreign Languages & Translation of Abu Hayyan Al-Andalusi's Kitab Al-Idrak Li-Lisan Al-Atrak ... in Semitic Languages and Linguistics)
Robert Ermers
Manufacturer: Brill Academic Publishers
ProductGroup: Book
Binding: Hardcover

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ASIN: 9004113061

Customer Reviews:

Description needed!.......2000-07-11

First, an apology for using the review mechanism to ask a question, but ... no description, and no apparent way to email the author directly? Intriguing as the title sounds, it's hard to guess what the book is about! Turkish is clearly highly related to Japanese; besides being a similarly agglutinative language, there are too many compelling parallels to ignore (e.g., { sore-, kore-, ore- } <=> { bura-, sura-, ora- }; { -ka, -mi (please excuse the dot) }. Is this book an attempt to establish a linguistic connection to Turkish? or a way of applying Arabic linguistic methods to an "unrelated" language?

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