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After designing the starkly symbolic Vietnam Veterans Memorial in Washington, D.C., when she was still an undergraduate, Maya Lin might have been doomed to spend the rest of her architecture career vainly trying to top herself. But 18 years later, her concerns clearly have nothing to do with self-aggrandizement. In Boundaries, Lin's lucid, soft-spoken collection of writings, she discusses how her work evolves, after a lengthy gestation, as a way of heightening viewers' awareness of a specific environment and perception of the passage of time. This temporal aspect can be a sequence of historical events (as in the Civil Rights Memorial in Montgomery, Alabama) or a purely aesthetic quality, like the shifting play of light over a grassy field of sculpted earth (Wave Field at the University of Michigan, Ann Arbor). "I like to think of my work as creating a private conversation with each person," Lin writes, "no matter how public each work is and no matter how many people are present."
Understandably, Lin writes in greatest detail about the Vietnam memorial, a high-profile commission fraught with controversy because of its unusual form as well as the age, gender, and ethnicity of its American-born architect. But this engrossing, amply illustrated book also details the thinking and experimentation behind myriad other projects, including elemental sculptures, interiors, and furniture designed with an unusual degree of consideration for the user's needs. Influenced by her ceramist father, Lin always gravitated toward working directly with malleable materials--an experience that complements the rational precision of plans and blueprints (the Vietnam memorial first took shape as a mound of mashed potatoes). Boundaries reflects the same blend of close analysis, intuition, and quiet humility that marks Lin's public projects. --Cathy Curtis
Book Description
Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole....
So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age.
Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
Customer Reviews:
'Wells of Knowledge'.......2007-07-08
This book accomplishes for me what Maya Lin set out to do - it provides a well of knowledge that I keep coming back to. I have shared her philosophy with friends and family providing a direct and intimate dialogue with her work.
I first came across 'Boundaries' while doing research on public controversy and sculpture. I felt that I was listening to Lin's voice and began to understand why she depicted the works as she did. I was drawn to the simplicity of her designs that left space for human participation. When the book had to be returned to the library I had to have a copy for myself to continue my understanding of her works.
The aesthetic set-out of the book draws the viewer into the designs with more understanding. It is not just a coffee table book, but one that encourages one to rethink and revalue ideas.
Just what the architecture soul needs.......2007-05-20
After days of a dry spell, in trying to figure out a design problem; I started to flip through this fabulous book. Maya Lin's Boundaries; is a book that is food for the soul of an architect. Ironically, the title of the book is Boundaries, but the whole essence and poetic journey allows for one to see the world with out "Boundaries".
Traveling through each project, Lin is able to take us from her thought process through a complete execution on each project. She is so delicate in describing each event, from growing up, the Vietnam memorial, to her goals in the future. The reader can travel with her, through each process, struggle, and creating architecture that is able to resonate within it's setting.
Thinking with her hands, Lin describes each event, each challenge, and solution, allowing for the the reader to gain an inside, touching the souls of what every architect and designer needs.
Truly unique and inspiring.......2005-03-10
Maya Lin's "Boundaries" is both creative and stimulating.
This book is not an autobiography and it is not an art book, but rather an extension of Lin's work. Many know Lin for creating the Vietnam Veterans Memorial and like the memorial "Boundaries" provides a medium-both public and private-to observe and interpret what we sometimes don't even consider.
If you like photography, architecture, or simply wish to know more about an idea behind one of Lin's works then this book is for you. I love the format. It is easy to read and the pictures are of high quality. The pages are numbered from 1:00 to 12:00 and each chapter starts with a new hour. "Boundaries" is refreshing- it's truly unique and inspiring.
Beautiful.......2004-05-17
There are two ways to read this book, as Lin points out in the preface. First is just as a coffee table picture book. In that role, "Boundaries" gives a photographic tour of many varied monuments and installations. Lin is best known for the Vietnam Veteran's memorial. At the time, it was an unprecendented look and a deep controversy. Since then, I think it has become what Lin had hoped: one of the most personally involving war memorials ever. Lin has moved on since then, and this book shows many of her more recent works.
Although her family heritage is Chinese, Lin identifies herself as American. That gives her the freedom to use concepts from many Asian traditions. Many of her later works show a sense that I see as Zen-like. They are centered on stone, water, earth, and light. Like that first memorial, they invite the viewer to touch and become involved in the work. "Waves", for example, is a large-scale earthwork to be explored, offering surprising privacy in an open, sunlit lawn.
The second reading of this book comes from its text. It explains Lin's approach to her work. I was quite surprised to fined out how important collaboration is for her. Most of her installations are undertaken with archtitects, writers, or preparators of various kinds, quite opposite the 'lonely artist' stereotype. I was also surprised to learn that her first conception of most pieces is narrative, not pictorial. To me, translating word into image and structure is a complete mystery. My own thoughts work in the other direction. That difference intrigues me.
The book itself is a pleasant artifact. It's well printed, well organized, and displays some thoughtful, unusual typography. It's a vehicle well suited to the material it carries.
"Boundaries" was printed in 2000. That means that the catalog of Lin's work has developed since then. More of her work surely exists that was locked out by the publication date. I look forward to the next book documenting her work, and I look forward to her future development as an artist.
the most famous female architect with Chinese background.......2004-02-16
Sometimes I felt really sad that I don't have enough money to bring this book home.Maya lin should be an architect who can be also known as a good writter.Her writting had combined both beauty architecturally and verbally,like a stream of purity norished readers'heart,explained her designs with pleasure of sights.She got similar passion as her famous aunt lin huiyin,composed a melody of life,mastered the way a human being might uneasy to see.I am appreciated her way of representation.That she inheritaged from Lin's family.She absolutely knew that poetics in their family traditions,a symbol of very special abilities.
Book Description
“Utilizing the way in which scientists and computers see our world, drawing on images based on sonar views of the ocean floor, to aerial and satellite views of the land, I have started to create artworks that translate that technological view into sculptural forms.” (Maya Lin)
One of the most celebrated artists working in the United States, Maya Lin (b. 1959) came to prominence in 1981 with her design for the Vietnam Veterans Memorial. Generously illustrated and beautifully designed, Systematic Landscapes traces her continued fascination with geologic phenomena and topography, integrating natural contours and materials into evocative landscape sculptures such as Character of a Hill Under Glass (2002) and 11 Minute Line (2004).
As the book reveals, Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This important volume also introduces three major new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
Systematic Landscapes is of interest to newcomers to Maya Lin's work as well as to longtime enthusiasts of her unique artistic creations and stunning design work.
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- Maya Lin, Amazing Architect and Artist
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Maya Lin: Architect and Artist (People to Know)
Mary Malone
Manufacturer: Enslow Publishers
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Maya Lin - A Strong Clear Vision
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ASIN: 089490499X |
Customer Reviews:
Maya Lin, Amazing Architect and Artist.......2006-05-31
Maya Lin by Mary Malone is about twenty-one year old Maya deciding her future career. Maya Lin was a developing architect who didn't favor war but she is significant because she designed the Veteran's Memorial, the Civil Rights memorial, and the Peace Chapel.
Maya Lin was organized into sequential chapters with a Chronology at the end. Her most well-known achievement still lingers in mind because it was detailed and descriptive. Quotes, chapter notes, index, and a `Further Reading' section were also inserted. The book doesn't have a glossary and that's the weakness. Some words were complicated which made them difficult to comprehend. People who like art/sculpting will desire reading this book because Maya Lin was an architect. I thought that this book was awesome!
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- The politics of land-use
- I'm Right and Everyone Else is Too Stupid and Too Corrupt
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Bronx Ecology: Blueprint For A New Environmentalism
Allen Hershkowitz
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Getting to Yes: Negotiating Agreement Without Giving In
ASIN: 1559638648 |
Book Description
"The Bronx Community Paper Company teaches us that we have the power, if we muster the will, creativity, and cooperation, to recover lost pieces of America's environment, return them to good health, protect other lands and resources from being destroyed, and even create environmentally friendly jobs in the process." ?President Bill Clinto.
In 1991, frustrated by the failure of lawmakers to produce meaningful progress on environmental issues, Allen Hershkowitz, a scientist with the Natural Resources Defense Council (NRDC) opted for an innovative approach. Resolving to put market forces to work for the environment, Hershkowitz devised a plan to develop a world-scale recycled-paper mill on the site of an abandoned rail yard in the South Bronx.
Created in collaboration with colleagues at NRDC, the private sector, government, unions, and community groups, and with a building designed by renowned architect and designer Maya Lin, the Bronx Community Paper Company (BCPC) was intended to put the ideas of industrial ecology to work in a project that not only avoided exacerbating environmental problems but actually remediated them. One of the primary goals of the project was to show that environmental protection, job production, social assistance, economic development, and private-sector profitability can work together in a mutually supportive fashion.
Unfortunately, it didn't quite turn out like that.
In Bronx Ecology, Hershkowitz tells the story of the BCPC from its earliest inception to its final demise nearly ten years later. He describes the technical, economic, and competitive barriers that arose throughout the project as well as the decisive political and legal blows that doomed their efforts to secure financing, ultimately killing the project.
Interwoven with the BCPC tale is Hershkowitz's vision for a new, engaged environmentalism, complete with principles for a new era of industrial development that combines social and environmental responsibility with a firm commitment to profit-making. As Hershkowitz explains, while the project was never built, its groundbreaking collaboration can hardly be considered a failure. Rather the BCPC, in the words of veteran environmental journalis.
Philip Shabecoff, "can be seen as the beginning of a learning process for entrepreneurial environmentalism, a pathway to a new approach in the 21st century." Bronx Ecology offers a compelling vision of that exciting new pathway.
Customer Reviews:
The politics of land-use.......2006-09-05
I would have liked to think, as a resident of the Bronx, that where this proposed project was, nearby where the US Capitol Dome was forged during the Lincoln administration, would have been welcomed in NYC.
I had somewhat been connected with the cultural resources evaluation for another project, the "Oak Point Rail Link" back in the early 80s in the neighborhood. It involved the rail transport of fresh produce loaded into special containers from trailer trucks parked near the Tappan Zee bridge, eliminating heavy truck traffic. By rail into the South Bronx, transferred off the rail-cars and then carried on designed trucks off the flatcars that would fit under any bridge or overpass into Manhattan, decreasing it was estimated the cost of their produce there by 5%-10% and truck traffic around impediments. There were different rail modes proposed, one a whole new line out from the shore on stanchions in part of the trip, avoiding current rail travel. Produce would be moved quickly and efficiently. It was started I think, and said to have been stopped by then Governor Cuomo over pension investment overview by the feds or something, I think some of the material was stockpiled down there for it. I lived as a child in the Patterson Houses projects for awhile attending the poorest parish in the city St. Rita's. Maybe someone should write a book about it too.
My father, his father a real estate reporter, said that the South Bronx was a landowner plot, next door to Manhattan with the its street grid continued into it, allowed to diminish and demolished, with the promise of new development which stopped by larger economic forces, i.e., economic depression and recession. Janes and Kirtland and the Mott Foundry, were once both there and their ironworks still in use around the world (bridges in Central Park, plaza fountain (Peru,US) garden sculpture (Japan) cast iron stoves (California, NY in the Rufus King Manor Park who was the "last Federalist" and first US Ambassador to England, is in the city park in Queens, NY) the US Capitol Dome, and assembled by Janes and Kirtland (for just over $1 million for President Lincoln, replacing the "hat box") and other structures in Washington, DC (the Library of Congress was once all iron). Would anybody be surprised that politics comes to play there?
I'm Right and Everyone Else is Too Stupid and Too Corrupt.......2004-05-13
This was a painful read for me. I had high hopes that Heshkowitz had learned something valuable to share with the rest of us. Instead he gives us his pontification and a virtual blame-fest for his failure to carry through execution of this project.
In this telling everyone involved is faulted except the author. Yet in the estimation of many of those receiving the blame, the project was poorly conceived from the start, the author was deaf to suggestions and naive in his understanding of urban and paper industry economics (to say nothing of politics, culture, logistics and technology). Are any of these views fairly presented? Do we actually get a "Blueprint for a New Evironmentalism?" No and no.
Consider this test of clear thinking: You need to build a gigantic, complex heavy manufacturing facility, a paper mill, for the Bronx. Whom do you hire to design it? Answer: Maya Lin, designer of the Vietnam Veterans Memorial. And it gets worse.
Hershkowitz tells us that Mayor Giuliani was among those to blame for finally hammering the death blow to this project. The Mayor should be commended for having the clear vision to cut our losses before this turkey ate our lunch.
I have read other books on failed projects (most recently Project Orion by Dyson - highly recommended) and battles (Argument Without End: In Search of Answers to the Vietnam Tragedy by McNamara) that were enlightening, because we learn how the leaders' went wrong from their own introspections. These can help the world. Here we just get lectured on how the author was and is right and the rest of us are wrong. OK, author, so why is there no paper mill in the Bronx?
It takes much more than a dream, self-promotion and some fuzzy ideas to achieve such a goal. It takes understanding of others' interests and needs and a willingness to learn.
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Maya Lin (Raintree Biographies Ser)
Amy Stone
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Boundaries
ASIN: 141090069X |
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Maya Lin: Public/Private
Sarah Rogers
Manufacturer: Ohio State: Wexner Center for the Arts
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Lin, Maya
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ASIN: 1881390055 |
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Maya Lin (Asian Americans of Achievement)
Tom Lashnits
Manufacturer: Chelsea House Publications
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Vera Wang (Asian Americans of Achievement)
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Maya Lin: Systematic Landscapes
ASIN: 0791092682 |
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- From Michelangel to Maya Lin review!
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Artists - Volumes 1 & 2: From Michelangelo to Maya Lin (Artists)
G. Aimee Ergas
Manufacturer: U·X·L
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Binding: Hardcover
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ASIN: 0810398621 |
Book Description
Artists covers the life stories of 62 sculptors, painters, architects, photographers, illustrators and designers. It also provides a view of the artists' worlds and the impact of their art on society and future generations of artists.
Features include:
- 62 artists portraits
- 140 photos of famous works
- A five- to 10-page discussion of each artist's personal experiences
- And much more
The second set includes 50 new entries plus 10 updated profiles of artists from the first edition.
Customer Reviews:
From Michelangel to Maya Lin review!.......2000-07-03
This book clearly states the life of lots of the artists in the book, but not enough on their art related life. The book is intresting, but not the best book in the world. This book is good for reports, and has almost every artist you can think of. I think that this book is good if you are reading it for a reason, but if you are reading it because you have no other books to read, then it might get boring.
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Artists - Volumes 1-4: From Michelangelo to Maya Lin
G. Aimee Ergas
Manufacturer: U·X·L
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Lin, Maya
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ASIN: 1414404794 |
Book Description
Concentrating on North American and European artists from the Renaissance to the present, Artists covers the life stories sculptors, painters, architects, photographers, illustrators and designers. It also provides a view of the artists' worlds and the impact of their art on society and future generations of artists.
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Artists at Work (On the Job (Philadelphia, Pa.).)
Marilee Robin Burton
Manufacturer: Chelsea Clubhouse
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Binding: Hardcover
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ASIN: 0791074102 |
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- Computer Organization and Design: The Hardware/Software Interface, Third Edition (The Morgan Kaufmann Series in Computer Architecture and Design) (The ... Series in Computer Architecture and Design)
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- Concrete Countertops: Design, Form, and Finishes for the New Kitchen and Bath
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