History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Tadao Ando: 1941 : The Geometry of Human Space (Taschen Basic Architecture)

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worth buying
Another Great Book from Taschen

Tadao Ando: 1941 : The Geometry of Human Space (Taschen Basic Architecture)
Masao Furuyama
Manufacturer: Taschen
ProductGroup: Book
Binding: Paperback

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ASIN: 3822848956

Book Description

Modern minimalism with a Japanese touch

Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline's four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world's greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed elsewhere in architecture.

This book provides the perfect introduction to Ando's work, including private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, and in France, Italy, Spain, and the USA.

Customer Reviews:

worth buying.......2007-05-13

this books introduce lots of important works of Tadao Ando
good print quality, nice pictures with reasonable price

Another Great Book from Taschen.......2007-01-22

This is the first Taschen Basic Architecture volume about a living architect. The earlier Taschen volumes have been about the Modernist masters such as Mies, Le Corbusier, Loos, Wright, Kahn and Neutra. If there is any living architect who can measure up to this Pantheon of Greats, it is Pritzker Prize winner, Tadao Ando.

Like the other volumes in this series, there is a short biographical essay, followed by short chapters that focus on key works. The German Publishing Company Taschen publishes some of the best architectural books. Their books are always of the highest quality and reasonably priced. At Ten Dollars, it is hard to imagine a better introduction to the works of one of the most important architects of the Twentieth Century. Highly recommended.

Average customer rating:

thank you!

Healthcare Spaces No.2 (Good Idea)
Roger Yee
Manufacturer: Visual Reference Publications
ProductGroup: Book
Binding: Paperback

General | Architecture | Professional & Technical | Subjects | Books

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ASIN: 1584710454
Release Date: 2004-09-07

Book Description

Healthcare Spaces is a showcase of impressive new work by some of the leading architects and interior designers serving the nation> '> s health care institutions. More than 50 design firms present 170+ projects with over 650 color images in this 420-page, four-color book.

Health care administrators, physicians, medical planners and their architects and interior designers will find this an excellent way to assess how public and private institutions are coping with the opportunities and challenges of managed care, advances in medical science and technology, aging populations and the drive towards patient-focused care.

In projects ranging from neighborhood clinics, surgery centers and medical offices to replacement hospitals and vast medical campuses, a profound change in the delivery of health care is revealed. America> '> s determination to contain health care costs, for example, is hastening the shift from inpatient care to ambulatory services, specialization to target specific needs of service area populations, and consolidation by independent institutions into regional networks.

Organized alphabetically by design firm, Healthcare Spaces No. 2 is user friendly, with each project indexed for easy reference. In this book, health care professionals as well as architects and interior designers serving public and private health care institutions will find exciting new to approaches to their work.

650 pages 9" x 12" 650 color photos 1-58471-045-4

Customer Reviews:

thank you!.......2007-01-21

i accepted my purchased book.
i like very beautiful design and interesting contents.
if there is other chance, i'd like to purchase your good books.

thank you.

Louis I. Kahn: 1901 - 1974: Enlightened Space (Taschen Basic Architecture)

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Exellent Series
A Low Price Ticket to an Architect's Life Work

Louis I. Kahn: 1901 - 1974: Enlightened Space (Taschen Basic Architecture)
Joseph Rosa
Manufacturer: Taschen
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Binding: Paperback

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ASIN: 3822836419

Book Description

The late bloomer...

Though Louis Isidore Kahn (1901-1974) started his career late in his life, the few projects he was able to undertake were realized to perfection. With the Jonas Salk Institute in La Jolla, California (1959-1965) Kahn created a workspace with superb functional and aesthetic qualities; the institute's Minimalist elements radiate a sense of eternal beauty. The Kimbell Art Museum in Fort Worth (1966-1972) occupies the somewhat faceless city like an island of spiritual space, an effect that is achieved by simplicity in design and materials. Also, the Indian Institute of Management in Ahmedabad (1962-1974) and the Sher-e-Bangla Nagar, National Assembly of Bangladesh in Dhaka that was finished after his death are buildings of monumental importance, demonstrating the vision of a talented and very unusual man. This book brings together 17 Kahn projects, ranging from private housing to commercial architecture, religious buildings, exhibition spaces, and government buildings.

Customer Reviews:

Exellent Series.......2007-01-10

Full marks to TASCHEN for the BASIC ARCHITECTURE series. The small format, clear text/layout/photography make them visually pleasing and well worth revisiting often. I am buying one each month.

A Low Price Ticket to an Architect's Life Work.......2006-09-26

Although I am a fan of Modern Architecture, I have never really understood why Louis Kahn was one of the great architects of the Twentieth Century. His buildings have never really appealed to me. They stike me as very dense and way too serious. Kahn's embrace of "monumentality", strikes me as antithetical to Modernist thought.

I purchased "Louis Kahn: 1901-1974" because at $9.99 this book is a low risk investment. It is published by the German Publishing Company, Taschen. This imprint produce some of the finest books currently being published about architecture. Typical of the Basic Architecture Series, the book is very well written and includes beautiful photos of the architect's best buildings. It is hard to believe that such an attractive book sells at such a reasonable price.

I am still not a fan of Kahn's buildings but I now have a better understanding of why he is considered one of the most important architects of the Twentieth Century. This book is a good purchase for anyone trying to understand the forces that shaped the practice of architecture during the past fifty years. A good value and highly recommended.

Average customer rating:

Architect's Studio Handbook
Terry Patterson , and Terry L. Patterson
Manufacturer: McGraw-Hill Professional
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Binding: Paperback

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ASIN: 0070494460

Book Description

Develop design and working drawings more efficiently

Packed with useful hands-on information for both schematic design and computer-assisted working drawings, Architect’s Studio Handbook is the ideal tool for every architect who wants handy rules-of-thumb, convenient graphic conventions, and easy-to-find answers in diagrams, charts, and drawings -- all in a stay-open, flex-binding format. Author/architect Terry Patterson’s complete, up-to-date, information-packed guide helps you:

Immediately locate essential building design technical data

Recognize code compliance problems typical of drawings submitted for building permits

See what is expected by government agencies and other clients with repetitive building programs

Get tips from practitioners in international and design-build practices

Apply advice from engineers on selection and organization of building systems

Determine acceptable ranges for components in building technology

More!

Making Spaces: Contemporary German Landscape Architecture

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Making Spaces: Contemporary German Landscape Architecture
Federation of German Landscape Architect
Manufacturer: Birkhäuser Basel
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ASIN: 3764365560

Book Description

Landschaftsarchitektur liegt heute im Grenzland zwischen Kunst und Wissenschaft, auf dem Grat zwischen Erfindung und Gedächtnis, zwischen radikalem Mut zur Modernität und bewahrender Achtung der Tradition. Mit diesem Buch wird eine Positionsbestimmung angestrebt. Sein Ausgangspunkt sind die Realisierungen und Erfahrungen der letzten zehn Jahre in Deutschland, aber auch anderen Ländern wie der Schweiz und Saudi-Arabien, wie sie sich im Deutschen LandschaftsArchitektur-Preis widerspiegeln. Die Vielzahl herausragender Projekte wird begleitet durch Essays namhafter Autoren wie Gerhard Mack und Stefan Leppert. Entstanden ist eine Plattform der Diskussion über Landschaftsarchitektur - in Zeiten der Europäisierung, der Agrarwende, der Debatte um Nachhaltigkeit und der neuen Ansprüche an den öffentlichen Raum. Mit seiner großzügigen Ausstattung und der anspruchsvollen Präsentation vermittelt das Buch viel von der visuellen Faszination, die in der zeitgemäßen Gestaltung von Gärten, Parks und Landschaften liegt.

Average customer rating:

forgot some stuff for my research

Louis I. Kahn: Light and Space
Urs Buttiker
Manufacturer: Watson-Guptill Publications
ProductGroup: Book
Binding: Paperback

General | Architecture | Professional & Technical | Subjects | Books

Customer Reviews:

forgot some stuff for my research.......2000-04-30

i want some more pictures about his designs if u can plz help me thank u

Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc

Average customer rating:

Deeply inspiring for an artist
Going over Boundaries between Disciplines
Great minds think alike.
strains to equate two rather different lives
Creativity and the Mind

Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc
Arthur I. Miller
Manufacturer: Basic Books
ProductGroup: Book
Binding: Paperback

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ASIN: 0465018602
Release Date: 2002-03-05

Book Description

"Miller is an excellent historian...and a fine biographer.... [His] artful arrangement of his conclusions...makes the book something of an intellectual thriller."-- New York Times Book Review.

The most important scientist of the twentieth century and the most important artist had their periods of greatest creativity almost simultaneously and in remarkably similar circumstances.

This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations--Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Miller shows how these breakthroughs arose not only from within their respective fields but from larger currents in the intellectual culture of the times. Ultimately, Miller shows how Einstein and Picasso, in a deep and important sense, were both working on the same problem.

Customer Reviews:

Deeply inspiring for an artist.......2006-01-19

After reading several books and essays on Picasso in the context of modern art movements, it was refreshing to read such a thoughtful and detailed review of Picasso's achievements from the perspective of how science, and the scientific achievements of his time, affected him and drove him to seek 'new dimensions' in his art. I admit as an art enthusiast I took greater interest in the Picasso chapters than the Einstein chapters, but was truly impressed by Miller's ability to dive so deeply into each of these worlds.

Going over Boundaries between Disciplines.......2002-07-19

What factors can be motivations of a genius's reformative work? Is it possible that the same notions affect geniuses in science and art? What is the daily life of geniuses? What processes are going on when a genius does a monumental work? We often have such questions as above. Arthur I. Miller, Professor of History and Philosophy of Science at University College London, wrote a wonderful book to answer all of those questions and to tell us more about creative activity by the example of the two giants of the twentieth century, Albert Einstein and Pablo Picasso.

This dual biography centers on the special relativity theory discovered by Einstein in 1905 and the Cubism painting "Les Demoiselles d'Avignon" produced by Picasso in 1907. In the first chapter, the author mentions that Poincare's book "La Science et l'hypothese" gave a spur to both of the two geniuses and led them to explore new notions of space and time. Tracing their respective lives in later chapters, the author clarifies how both men sought representations of nature that transcend those of classical thought and reach beyond appearances. The reader would be convinced of the fact that the effect of Poincare's book is not a superficial similarity between the works of Einstein and Picasso but a common denominator deeply rooted in the culture and science of the early twentieth century.

In the last chapter the author insists that at the creative moment boundaries between disciplines dissolve. Namely, aesthetics becomes paramount also in science; on the other hand, artists solve problems just like scientists. So, if you are a scientist, you would find direct interest in the chapters on Einstein and also find it profitable to read the chapters on Picasso; and if you are an artist, the reverse would be true. Laypersons would also get a lot of stimuli to a productive life from this book.

Great minds think alike........2002-05-12

Arthur Miller is a Professor of History and Philosophy of Science at London's University College. Equal parts biography and art-science history, his interesting book follows the parallel lives of physicist Albert Einstein (1879-1955) and painter Pablo Picasso (1881-1973) into the 20th Century. Although the two lives never actually intersected, Miller demonstrates that as a result of the intellectual atmosphere of 1905, Einstein and Picasso "began exploring new notions of space and time almost coincidentally" (p. 4). "I wrote EINSTEIN, PICASSO," Miller tells us, "for lovers of art and science practiced at their most fundamental and exciting level, for aficionados of thinking across disciplines and generally for readers interested in the drama of high creativity. We wonder about the moment when everything comes together to produce incredible insights. How does this happen? How do thoughts emerge that go beyond the information at hand?" (p. 8).

While it does not ultimately succeed as a biography in bringing either Einstein or Picasso to life in its 357 pages, Miller's book shows that his subjects were able to achieve "enormous successes under conditions that would have defeated most people" (p. 266), and to this limited extent, Miller gives us insight into what made both men tick. However, Miller's real strength is in exploring how Einstein and Picasso "processed information in order to make their momentous breakthroughs" (p. 245) resulting in Einstein's 1905 theory of relativity, and the cubism of Picasso's 1907 painting, "Les Desmoiselles d'Avignon." The theory of relativity, like cubism, Miller shows, represents "a profound response to changes in the philosophical and scientific climate as well as to dramatic technological innovations" (p. 174). While his book demonstrates time and again how Einstein and Picasso were equally fond of work and women, it only really soars when it reveals how these two men were able to simultaneously move the world into modernity through science and art.

G. Merritt

strains to equate two rather different lives.......2002-02-18

The idea that there may be a connection between the appearance of relativity and cubism at the beginning of the twentieth century is not a new one. Though it has been shown quite convincingly that Picasso was not aware of Einstein's work when he and Braque invented cubism, it is still possible to say that BOTH Einstein and Picasso were influenced by some common elements that had appeared in western culture at that time. This, in itself, would be unremarkable; Both Einstein and Picasso lived in the same continent at the same time, it would be very surprising if they did NOT have some common influences. But professor Miller tries to stretch this comparison to the breaking point and well beyond. The result is a book in which excellent summaries of their early life and careers are marred by clichéd and overblown psychobabble and cultural theorizing.
The book is still interesting because it deals in detail with the lives of two such gifted and unique individuals. But the comparisons are frequently forced, and the author seems to have failed to take the advice of either of the masters. Picasso was dismissive of most attempts to retrospectively slot his art into some art historian's version of "influences and phases" and he would certainly have resisted any attempt to "explain" his genius in this manner. Einstein, too, was willing to leave the mystery of creativity unsolved. Mr. Miller would have done well to present us with two separate books about Einstein and Picasso, or one bigger book on the cultural ferment of the early nineteen hundreds. This attempt to find "the secret of creativity" fails to rise above the level of the self-help manuals that crowd our bookshops. Einstein loved music, so music is listed as one of the routes to creative "non-verbal" thought. But the fact that Picasso was never interested in music does not constitute a counter-example for Mr. Miller. Meanwhile, Picasso smoked hashish and took opium with great regularity through this period, but while the slightest hint that he might have heard of geometry is inflated beyond belief, this significant aspect of his life gets only two lines in the book.
Last, but not the least, while science and art are both human products, their natures are very different. Much of Modern art has moved beyond mere representation and become more like music (an esthetic experience which may or may not represent a particular "story") but science is nothing if it's not a coherent story. Einstein rebuilt the foundations of modern science by systematically and LOGICALLY questioning the basic assumptions of Newtonian physics and the discoveries of electro-magnetism. This achievement may have involved intuition and unconscious influences, but it would be useless if scientists could not eventually understand and agree on its meaning. Modern art may well deal with matters even more important than the physical structure of the universe (love, sex, death, loss, meaning, values, rebellion, rage...) but it would not be art if all artists were to agree on its significance and meaning.

Creativity and the Mind.......2001-12-04

A brilliant book for a discussion between the relationship between the art and science.

Book Description

In response to the sense of crisis in today´s towns the proponents of new traditionalism offer a form of urban planning which looks back to more traditional styles whilst firmly integrating the requirements of modern life. Their designs are characterised by a sense of public spirit, identification and order. The contributions in this book reveal how these principles relate to the specific European city in the 20th century as well as to the writings of theoreticians from Camillo Sitte up to Rem Koolhaas. The authors reveal why the provocatively conservative approach has enjoyed so much success. They draw comparisons with the New Urbanism found in the USA and develop a systematic approach to town planning. The examples from the Krier Kohl office demonstrate in detail the design process up to the architectural realization by architects such as Michael Graves and Cesar Pelli. They show that new traditionalism in urban planning can fruitfully work together with a wide range of architectural approaches.

Average customer rating:

Good Graphics

Hodgetts + Fung: Scenarios and Spaces

Manufacturer: Rizzoli International Publications
ProductGroup: Book
Binding: Paperback

General | Architecture | Professional & Technical | Subjects | Books

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ASIN: 0847818136
Release Date: 1997-01-15

Book Description

With backgrounds in theater, film, and industrial design, Craig Hodgetts and Hsin-Ming Fung, the principals of this award-winning Los Angeles-based firm, celebrate architecture's theatricality and the visual, media-oriented culture of Southern California. Hodgetts + Fung's brightly colored, rigorously structured buildings and installations cleverly integrate computer and multimedia systems, natural lighting, and eclectic materials such as tinted plaster, aluminum siding, and sheet metal. The firm has designed a wide range of projects, including a widely praised temporary library at UCLA; a historic theater renovation in Hollywood; offices for film and talent companies in Los Angeles; Los Angeles Arts Park, a competition entry for an arts and cultural center; and installations at the Museum of Contemporary Art in Los Angeles, the Museum of Modern Art in San Francisco, and the Library of Congress. Thirty-two projects are presented in this first monograph on the firm, which received the 1994 Academy Award in Architecture from the American Academy of Arts and Letters and the 1996 Chrysler Award for Innovation in Design.

Customer Reviews:

Good Graphics.......2000-05-16

This is a good monography of the L.A. based architectural firm hodgetts and Fung. Most of their work in the book has a connection with the film industry.

The book addresses the earlier work of the firm. It does a good job in providing an insight of the firm's style and approach to design.

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