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- Hawthorne--American Impressionist, Watercolor Master
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Charles Webster Hawthorne: Paintings and Watercolors
Richard Muhlberger , and
Charles Webster Hawthorne
Manufacturer: University of Washington Press
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Binding: Hardcover
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ASIN: 0295979275 |
Customer Reviews:
Hawthorne--American Impressionist, Watercolor Master.......2000-07-08
This thorough collection of Charles Webster Hawthorne's paintings demonstrates his accomplishments in figure, portrait, and landscape painting. Drawing early inspiration from 17th century Dutch genre painting, then from his studies of Manet and the early impressionists, he achieved a stunning freedom of technique and sponaneity in his watercolor landscapes. Painter and teacher, Hawthorne maintains the tension between abstracton and realism, evidenced in the wonderful color photographs in this book. His art and teachings influenced many American 20th century painters, including the abstract expressionists. His teachings about artistic vision and method are presented in his notes on painting, included in this volume. (They are also published separately in "Hawthorne on Painting.") Most readers will benefit from their inclusion here as they offer an opportunity to judge his words and aesthetic principles against his paintings, rather than in a vacuum. In addition to illuminating essays by Richard Muhlberger, formerly of the Metropolitan Museum of Art, and Janet Flint, the text lists more than 50 museums that have Hawthorne's work in their collections. As many are small regional museums, this is a most valuable guide for further research, travel, and enjoyment of this unique master's work.
Book Description
The name of John Singer Sargent evokes paintings of marvelously gowned Edwardian belles, of brooding aristocrats and princes of industry--insightful portraits executed with dazzling virtuosity.
Sargent's enduring popularity has prompted a thoughtful reappraisal by prominent art critic Carter Ratcliff, who shows us the surprising breadth of the artist's work. Never before has a book so thoroughly represented that variety: 110 lavish color plates and more than 200 halftones convey the brilliance of his portraits, the exuberance of his watercolors, the stately pomp of his murals. It is perhaps the watercolors that are most exciting to contemporary eyes--bold, spontaneous, and vividly hued, they have a breathtaking immediacy.
Born in Florence in 1856 to American parents, Sargent spent a nomadic childhood before going to Paris to study painting. He learned quickly and by the 1880s had begun the steady climb to fame that ultimately placed him at the center of his world, with a circle of friends and rivals that included Henry James, Claude Monet, and James McNeill Whistler. When Sargent died in 1925, a childhood companion wrote in her memorial that "the summing up of a would-be biographer must, I think be: He painted." It is the strikingly beautiful results of that lifelong devotion to his art that glow throughout the pages of this incomparable book.
Other Details:
338 illustrations, 110 in full color. 256 pages. 11 x 13" trim size. Published in 2001.
Customer Reviews:
I don't understand the other reviews...........2007-06-22
On the outside the book is large and gorgeous with a glossy dust jacket. Open the cover and the the inside color matches Lady Agnew's sash! Turn another page and -inferior quality paper. The colors of the reproductions are dull. TONS of black and white photographs. In some sections, pages and pages of just black and white photographs. By the large size of the book, I thought I would get to see large pictures. Not so, except for Chapter introductions where a close up of a detail might be featured, elsewhere there are sometimes 3-4 tiny pictures squeezed onto the same page. Too small (and some in black and white) to appreciate any of them. I was VERY disappointed and am going to return it. I have three other books on Sargent and the quality is just so much better than this one.
If you have only one book on your coffee table..........2007-03-31
H. H. Munro once said that to die before having one's portrait painted by Sargent was to have died prematurely. He was on target. Of course most of us cannot expect to afford the luxury of having our portrait painted by anyone of note, but if that lucky opportunity came along, alas!, now it is the artist himself who is no longer with us.
This is a wonderful book. It gives the art admirer a good look at much of J S Sargent's oeuvre and the illustrations are faithful, of the highest quality.
The book also allows one to trace Mr. Sargent's life and career, with enough detail to make the development of his art make sense. An American by linage, a Parisian by training and an Anglophile by choice, Mr. Sargent was at home in the best of houses and traveled to places that are still high on everyone's wish list. So whether he is giving us a look at the beau monde of two continents or the canals of Venice we are blessed with his record, which is truer than photography.
Once you have fallen in love with these works of art--and who cannot?--you will want to seek out those that are in public hands for a closer inspection. Do. There are two Sargents in the White House, for instance, Teddy Roosevelt in the East Room and The Mosquito Net in the Green Room. One of the many reasons to see our President's House.
But you will find Sargents in out of the way places, too. There is a fine portrait in the Richmond (VA) Museum of Art, Mrs. Vickers holding a magnolia blossom as she arranges a centerpiece before a dinner party. She, who is somewhat plain, holds that breathtaking flower and we almost hear Sargent saying, "The woman is this lovely, as well, if you take time to know her." It is well worth a trip there to see it.
And if you can, spend a goodly amount of time gazing at Madame X. It really is sensational in all meanings of the word.
If you have only one book on your coffee table, this is the book to have.
John Singer Sargent.......2006-08-25
I am extremely pleased with this purchase although I haven't
reached 'the end' yet. The colour plates are clear which is
so important. I already possess Sargent Abroad which I
would also readily recommend.
More than just a coffee table book.......2006-03-10
I purchased this book because my eleven year old needed it for a school project. It is more than just a pretty book, it has enough information in it for her to complete her report. I enjoy looking and reading about the work of John Sargent because his work is so beautiful. This is a book that when one feels the world is so crazy and ugly, you can pick up this book to escape. It was money well spent.
The Master at His Best!.......2005-08-11
In my estimation there is no better artist in all of history. Now that's a pretty bold statement, but anyone who has viewed Sargent's originals would have to agree this man painted with authority and bravado. Yes, he was a showoff. I think that sometimes he would make a brushstroke just to say "see what I can do?" A lot of people don't realize that he painted fantastic watercolors as well as great oil portraits. If you want to see what a brush can do in the hands of a true master, study the work of John Singer Sargent.
Average customer rating:
- Deep in the senses
- exquisite
- slightly disappointed
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Gustav Klimt: Drawings & Watercolors
Rainer Metzger
Manufacturer: Thames & Hudson
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Egon Schiele: Drawings and Watercolors
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100 Drawings
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Gustav Klimt: 1862-1918: the World in Female Form (Big Art)
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Schiele Drawings: 44 Works (Dover Art Library)
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Gustav Klimt: Landscapes
ASIN: 050023826X |
Book Description
The best of Klimt's drawings and watercolors, beautifully reproduced in full color.
There is no doubt about Gustav Klimt's greatness as a draftsman. Remarkable above all is the intensely sensual mood that he establishes in his limpid, fluid drawings and watercolors: the pencil or crayon line with which his subjects are described explores and caresses as though the act of drawing was itself a seduction. Klimt's drawings are often highly erotic and explicit, many to such an extent that they have rarely been reproduced. This has made for an unbalanced representation of his work as a draftsman, and a comprehensive survey of his graphic output is long overdue.
Rainer Metzger, a noted art historian, has brought together hundreds of Klimt's drawings and watercolors in a way that enriches our knowledge of the artist and enhances the visual impact of his oeuvre. Klimt's drawings and studies, and his elegantly direct and dangerously intoxicating preparatory sketches, reveal the underlying impetus for and structure of his elaborate canvases. 307 color illustrations.
Customer Reviews:
Deep in the senses.......2007-05-25
Wonderful. Quick, immediate, and from the heart - or some other organ of animal intensity. Despite the title, there aren't so many watercolors, nearly none. The drawings are superb, though.
Klimt was an intense sensualist. He was often photographed in a floor-length painter's smock, probably wearing nothing underneath. Also, he was commonly seen in his studio amid models not just nude but naked, in intimate and revealing poses, often in couples and more-somes. Add in the fact that Klimt acknowledged three children out of wedlock, and posthumously faced claims of fourteen more. He was clearly a man profoundly moved by female beauty. His life ouvre of painting shows that.
Thousands of his drawings are available to scholars, but the few hundred here show Klimt's passion even more clearly than his lush paintings ever did. Some are studies for his well-known paintings; he was known to do hundreds in preparation for major works. Other sketches can also be traced to known paintings, though with less certainty. Still others are too vividly sensual to have been shown in his own time.
The author includes helpful and revealing biographical notes, largely at the beginning and end of the thick book. I must caution readers with eyes aging like mine are - although the lines of type have wide, airy spacing and low x-height, the text itself looks like 8-point or smaller. Some readers will be so physically uncomfortable from eyestrain that they will lose all the value, or at least enjoyment in those written words. Dear author and publisher: check the book's layout with graying readers before committing it to type, I beg you.
Outside of that, the physical presentation is impeccable. The book is thick, as I said, but that is largely due to the heavy, bright, opaque stock on which the pages are printed - it's a 400 page book with 600 page bulk. I am not criticizing. That quality of paper takes the fine detail of the reproduced drawings beautifully, without glare, and without showing through from the back. It looks and feels luxurious. The book's rich physical sense perfectly complements its visual sensuality. I recommend this book very highly, whether your interest is in Klimt, in arts related to Nouveau, or in simply womanly beauty.
//wiredweird
exquisite.......2006-10-25
This is a truly beautiful book, filled with lovely, erotic, sensual, and daring artwork in multiple stages of creation, and every other book I have seen on Klimt pales by comparison. My only wish is that the text could have gone more in depth - but I can forgive that small failing because of the sheer beauty of the presentation and of the pictures themselves. There are MANY pictures, making it far more satisfying than some of the other, cheaper books, and all nicely presented, glossy, with and without color but always with clarity of presentation. One aspect I particularly like is the way this book shows the evolution of Klimt's work - the gradations and sometimes combinations of different sketches into a finished product. There is also an interesting chapter towards the end that compares and contrasts the work of Klimt with some of his contemporaries, showing their paintings side by side with similar ones of his, and analyzing the differences. As far as text goes, that was the most interesting part. But really, when you are turning the pages and seeing sketch after glorious sketch, you don't care so much about what the text lacks.
I should also mention that of all the art books I have seen, this is the best if you want a wide and beautiful range of drawings of the female form (nude in particular).
slightly disappointed.......2006-08-13
I love the drawing style of Klimt and Schiele but the overall experience was spoilt by he poor text typeface and the miniscule point size. Buy it for the pictures, not the words!
Book Description
Winslow Homer's watercolors rank among the greatest pictorial legacies of this country. Winslow Homer's first medium was oil painting, although to make ends meet, he did commercial illustration and chronicled the New York City social scene. Eventually, Homer withdrew from city life altogether to settle at Prout's Neck on the rocky New England coast. There he turned to watercolor, in part for financial reasons (watercolors were easier to sell), but the newly popular medium also enabled him to capture his impressions of scenery and landscapes encountered during his many travels with an immediacy and directness impossible in the more time-consuming oils. Of his more than 700 watercolors, over 140 are reproduced here, dating from the 1870s to the turn of the century and ranging from pastoral to narrative, dramatic to serene. Miles Unger's text provides insight into the artist's technical mastery of the medium and discusses the importance of Homer's watercolors within the larger body of his work. 140 color illustrations.
Customer Reviews:
The Watercolors of Winslow Homer.......2007-09-22
As a very young child I would spent many hours looking through my grandmother's art library.Winslow Homer and the French impressionists were my favorites and that early experience is probably one of many reasons I became an artist. I bought this book as a gift for my sister who is also an artist. I was able to read most of it before I gave it to her but intend to get a copy for myself. I especially liked the way the book follows Mr. Homer's growth as an artist. It's well written and the collection of his work is incredible. There are so many paintings I have never seen and some I have only seen in black and white.
Beautiful Reproductions of Homer's WC.......2004-02-25
My first impression of this book was WOW!!! The size of the reproductions is astounding. Many extend over both large pages of the text. The binding is such that the book lies flat on the table and so the seam in the middle is negligble. THe colour of the reproductions is rich, detailed, and rings true (altho I have not seen any of Homer's work in real-life). Compared side-by-side with Cooper's book, Cooper's reproductions are much smaller and the colour appears weaker and washed out.
As for the text of the book, it is interesting, informative, and insightful. Altogether, this is a very well put together book; it is one of the finest books I have in my collection.
Beautiful pictures, overwritten text.......2002-03-12
To: Amazon.com
The hundreds of paintings reproduced in this large-format book deserve five stars. The publisher should be thanked for bringing together works scattered around a large number of museums, and for giving us a finely produced art book. Even fans of Winslow Homer will not have seen most of these paintings, which may represent the summit of American watercolors. Unfortunately, the accompanying text goes far beyond what is necessary to appreciate Homer's art. The descriptions of personal history and technique are helpful, but not the philosophical musings and overwrought interpretations. The text should have been cut by a third.
Customer Reviews:
amazing..........2005-01-02
... bought this at the Getty's museum and paid full price so amazon's is a real deal. Was not crazy about Cezanne's oil, but his watercolors are beautiful and style is wonderful - i learnt a lot by reading this book. Totally changed my view on Cezanne. This is the next best thing if you missed the exhibit at the Getty's.
Average customer rating:
- Outstanding Book, outstanding service
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Watercolor Interpretations
John Blockley
Manufacturer: F&W Pubns
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Binding: Paperback
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Getting Started in Watercolor
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The New Acrylics
ASIN: 089134196X |
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Outstanding Book, outstanding service.......2007-05-09
I received the book order in excellent condition and in good time to use for an uncomming project at my office. It was a real hit with the staff and should generate even greater interest in watercolor rendering.
Book Description
John Singer Sargent (1856-1925) stands among the greatest of watercolor painters, along with J.M.W. Turner, Winslow Homer, and other masters of this difficult medium. Watercolor was more than a distraction from the portrait and mural commissions Sargent labored over; after 1900, watercolor became central to his artistic vision. His aquarelles are, simply stated, masterworks. Portraits, interiors, landscapes, architectural studies--Sargent's work in watercolor offers a great variety of subject matter, ranging from Arab gypsies to World War I soldiers, to masterful depictions of Venetian churches, to Florida swamp alligators.
Sargent carried his watercolors on his travels; They were ideally suited to capturing the scene, the light, the air, wherever he found himself. This book serves as a record of his travels, featuring the paintings he produced in Palestine, Northern Africa, the Canadian Rockies, Italy, Switzerland, Spain, and Greece. Among specific locales were the islands of Majorca and Corfu; Florence, Venice, Carrara, Lake Garda, and Rome; the Alps; Lake O'Hara; the coast of Maine and the Miami River.
Sargent's bold and often experimental use of the medium, which sometimes led to semi-abstract images, compels admiration among contemporary painters as well as museum goers today. In addition to placing Sargent's accomplishments in the context of his life and time, Carl Little discusses the artist's extraordinary watercolor technique.
Customer Reviews:
Excellent!.......2007-01-11
I was looking for a Sargent book exclusively dedicated to his watercolours. I think the Carl Little book is the best one. The book is very manageable (I prefer the paperback as I use it a lot around the house as well as for reference). The size makes it also very usable, rather than having the large, heavy, coffee table editions which I find difficult to hold. The content is spot on for me; I'm after the images with a little written background to Sargent's life; this is very well presented in Little's book. The quality of the spine lacks a bit, but then again, I make sure I get out as much juice out of this book as possible!
A very interesting book.......2006-09-16
This is a book about the watercolours of John Singer Sargent so don't expect to see other than this. It's very well written and illustrated and it coverso all painters life. I also bought a big monographic book about Sargent and this one because I love his watercolours. I do think it's interesting to have if you already have a monographic book about this painters.
Watercolors of John Singer Sargent.......2005-08-15
As a watercolorist, this book is a model of technique, and I am happy to have it to study his composition,his values distribution and his ability to simplify without losing meaning
Inspiring and Challenging reproductions by a Master of light.......2002-07-05
Sargent's inspirations were Velasquez, Hals, Rubens. These were painters who understood the play of light. And they had a worthy apprentice in JSS.He understands that it is light that is the unifier of all his paintings, regardless of theme. JSS painted in watercolour for his own pleasure. (His mother taught him the medium at an early age). His brilliant mastery of both technique, light and sumptious colour are all captured in the reproductions in this book. Like others who have reviewed the book I return to it again and again. Happy pictures by a Mozart of the medium. How could you not buy it?
An all-time Favorite.......2002-01-15
I turn to this book time and again and am always astounded at the paintings. In his watercolor work, Sargent was a "Painter's Painter" - an artist who worked with paint so playfully, with color so passionatly, with caligraphic brushwork so seemingly irreverent - that the final effect is breathtaking and as fresh as the moment it was painted.
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A Book by Anselm Kiefer
Anselm Kiefer ,
Jr. Stebbins Theodore R. ,
Susan Cragg Ricci , and
Jurgen Harten
Manufacturer: George Braziller
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Anselm Kiefer
ASIN: 0807611913 |
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William Blake: The Painter at Work
Manufacturer: Princeton University Press
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William Blake: The Complete Illuminated Books
ASIN: 0691119104 |
Amazon.com
Conservation scientist Joyce H. Townsend is the Tate Museum's answer to coroner Gus Grissom on TV's CSI. Only instead of solving murders, she sleuths out the violence done to great art. In this book, she and her colleagues explain the horrors time, faded pigments, and dumb owners have visited on Blake's paintings, use a slew of high-tech techniques to deduce his methods and open our eyes to his original intentions. If you haven't read this book, you probably don't know what Blake's work looks like. Skillfully employing gas chromatography-mass spectrometry, lasers, Fourier transform infra-red spectrometry, and good old-fashioned saliva on a cotton swab, they scrub away dirt, yellowed varnish, and moronic overpaintings, and reveal how Blake wanted you to see. A tiny edge of blue indicates the firmament that Satan originally strode through in the now-yellowed Satan in His Original Glory. The chemical "Maillard reaction" has horribly browned The Ghost of a Flea; a small detail illustration reveals the original brilliant, star-studded blue Blake intended. The detective work is fascinating, and the profuse illustrations both technically and esthetically illuminating. Blake would have sung hosannas over this book: it cleanses the doors of perception. --Tim Appelo
Book Description
William Blake: The Painter at Work offers an innovative and revealing approach to one of the most individual of all British artists. Although the highly idiosyncratic nature of Blake's techniques has long been recognized, this is the first book to explore the practical methods behind his unique style--providing a fuller understanding of exactly how this secretive artist worked as a painter.
Richly illustrated with Blake's temperas, watercolors, and color prints and drawings, the book includes essays by leading international authorities who illuminate Blake's techniques and materials using up-to-the-minute research methods. Their analysis of numerous individual works reveals, for example, that Blake used essentially the same range of colors in them all, even if some of the more than 100 temperas he painted from 1799 to 1826 have since darkened or faded.
The book consists of four main sections. Introductory chapters are followed by essays on Blake's watercolors, large color prints, and temperas. An epilogue discusses the presentation of the paintings, and appendices provide more detail on the works discussed. The contributors are John Anderson, Peter Bower, Noa Cahaner McManus, John Dean, Robin Hamlyn, Bronwyn Ormsby, Brian Singer, Joyce H. Townsend, and Piers Townshend.
William Blake: The Painter at Work not only casts new light on the incomparable oeuvre that made Blake one of the most perennially popular of visual artists but also points to ways of preserving this work for future generations. There are still unanswered questions, but now there are answers too.
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